Yamaha RX-A2040 AV-receiver

Selecting the perfect A/V receiver to your home theatre is as demanding as it was to get the best bowl of porridge. Obviously, we want a lot of features and a lot of power, although we do not actually desire, not if that means power or squandering money on bells and whistles we'll never use. I find that in the receiver lineup of a single brand, it is regularly the version just below the main that represents the greatest balance between functionality and cost. At that amount, you get just about all the electricity available in the very best version and every characteristic but having a considerable price savings to sweeten the offer. Yamaha's Aventage RX-A2040 seems to fall into that sort of spot that is sweet. At $1,700 it's $500 less than the RX-A3040 main, but it still comes with most of that version the can of 's characteristics provide more than 93 percent of its promised two channel power spec.

Despite playing second fiddle in the receiver lineup of Yamaha, the RX-A2040 is actually loaded, boasting nine amplifier stations, every one of which is rated to pump 140 watts out. There is a complete program of wireless connectivity programs (including AirPlay, HTC Link, and Wifi) as well as a number of other onboard programs (including Spotify, Pandora, and SiriusXM). Environment modes are bang updated, also, with Dolby Atmos having only been added via a post-start firmware upgrade. This might be a deal killer in case you plan to make use of the RX-A2040 using a UHD (4K) screen and sources (including a coming Ultra HD Blu-ray player), although one workaround could be to route your UHD sources straight to the screen using another HDMI link to the receiver only for the audio signal.

Like the majority of recent high end AVRs, the RX-A2040 is an animal that is good-looking, with two big rotary knobs flanking a throw-down door that covers lesser controls, plus some front-panel input signals. Using the door upward, the single other switches that are observable will be button as well as the primary zone power button. Therefore the weight is supported by five feet as opposed to the normal four a Aventage hallmark at 37 pounds, the receiver is really significant. The central foot is described by Yamaha as an Anti-Resonance Technology

Wedge, made to dampen chassis oscillations which could change some parts that are internal.

Set Up

Unboxing and setting the Yamaha went easily up: I transferred the cables in a time and just set it to the ledge below the regular receiver within my stand. The eleven pair of loudspeaker binding posts are ordered neatly across the underside middle of the rear panel, a layout that prevents thick speaker cables from dangling in the manner of other cables with connectors that were powerful.

Yamaha provides you with a fairly complete group of connections while many other receiver brands happen to be cutting back on their input choices. Svideo fans, nevertheless, are out of luck. The eleven set of connectors let you configure and join several different set ups, though you will not be able to run them all, despite the fact that there are only nine electricity amp channels. As an example, you could have front height loudspeakers joined, but you will not be able to play with the second and them -zone loudspeakers concurrently.

For most of my assessment, I joined the RX-A2040 to center my PSB Synchrony One primary, and surround loudspeakers, with my M&K 350THX managing the subwoofer responsibilities. This is my first encounter using a Yamaha set up GUI in several years, although they do presume that there is a fundamental understanding of the conditions and processes connected with AVRs and I discovered the menus to be normally intuitive and simple to browse.

Instead of using a third party loudspeaker-alignment program like Audyssey, Yamaha has used its own proprietary YPAO loudspeaker calibration system. The variation which is included with the RX-A2040 the area can be measured by from up to eight distinct seating locations, using the provided mic.

YPAO determined that both my Synchrony One Synchrony S and center channel loudspeaker environment loudspeakers were great down to 20 hertz. That was kind of a stretch, so I followed right up to create several corrections following the automated calibration was finished. To be honest, when it actually gets all the way down to essential listening, like YPAO switched off, I usually prefer to do the majority of my auditioning. For the exact same reason, I love to turn off other sound correction features, including Extra Bass, Music Enhancer, and YPAO Volume.

Considering this price level, I generally anticipate a remote that is pretty elaborate, but the one provided with the RX-A2040 is really fairly normal, lacking something as fundamental as buttons that are backlit. Yamaha does offer their AV Control Program for Android or your iDevice, providing you with control that is much more all-inclusive than any remote could. And, obviously, the program is backlit for dark room operation.

Music and Films

I began my assessment by treating the RX-A2040 like an easy two channel audiophile amp. Then I slowly brought in its added abilities using films and multichannel music, however just after I had a handle on its fundamental sound. With this record, Reid's instrument has a sound that is wealthy and fat, but through the RX-A2040, there was a great awareness of clarity that made it simple to follow along with the tune of his bass line. I was struck by how simple it was to hear the differences in tonal shades involving the different cymbals in his kit, although drummer Duduka Da Fonseca goes crazy at one point.

These three well-known percussionists actually allow it to rip, as well as the easy two-mic record from Chesky actually exhibits what actual dynamics are.

Even with only two loudspeakers James Newton Howard's score for After Earth gets the kind of enveloping and enormous sound that gets you question why we are in need of surround sound in any way. The film might have already been a flop, yet this soundtrack is a victor in the epic-science-fiction- thriller version, sweeping strings, with enormous kettledrums, and loudspeaker -crushing dynamics. The dynamics did not sound compressed in any manner. The record might have already been unnaturally tweaked and poked to offer such an enormous sound to it, but there is no denying the excitement when played via a method with enough power to supply the dynamic swings needed it creates.

Gabriel's concerts typically include lots of different musicians, which might result in an expression of congestion that is dynamic, but through the RX-A2040, even small details such as the marimba, the triangle, as well as the cello player's bow on the strings cut via the combination certainly. As before, the general sound was warm and enveloping, without being glowing, yet detailed.

Home theaters are created for pictures last but definitely not the very least, the RX-A2040 ran in environment through a few of the best film evaluation substance, beginning with all the Blu ray of CRIMSON. Close to the opening, there is a scene in which a SWAT team goes after Frank Moses (Bruce Willis) in his house, accompanied by means of a soundtrack that joins pumping, synthesized techno music using a seemingly never-ending flow of gunshots and explosions. Even with the remarkable dynamic impact of every shot, there was a feeling of ease to the way in which the RX A2040 presented everything, allowing you to hear different timbre of the retorts from every weapon and also the wood framework of your home it was firing through, as opposed to merely a bewildering cacophony of high frequency sound. At one point, some bullets drop letting the stove set them away at random to generate a diversion that is sonic. Through PSBs and the Yamaha, the distraction became real, with all the sound of bullets whizzing around my room.

The clarity of the demonstration of the Yamaha shown the care put in the audio combination, making little details simple to identify, like the way in which the sound of the wheels clattering underneath the train on the tracks changes as Stevens goes to the toilet in the primary passenger car.

Naturally, all hell breaks loose when the train bursts, but then the resultant sound was important and strong, as opposed to merely loud.


The Yamaha RX-A2040 gives you pretty much all you'd anticipate from a large, close-main receiver. It could manage pictures and music from almost any kind of source or format you timbral --and copy it all with a great mix of heat and can throw at it. The supplied remote is nothing to write home about, but I discovered it was not difficult to simply control the receiver using an iPad running the iOS app of Yamaha.

The RX-A2040 needs no explanations, also it may kick behind in just about any top notch set up.

Yamaha RX-A2040 AV-receiver photo