|
ATC SCM19 Bookshelf speakersA school of thought is among loudspeaker manufacturers that are particular for studios can also be great for the house, that what is good. In studios computer screens are employed to show issues, to emphasize sounds that should not be there. Computer Screens really are an essential instrument of mastering and recording, the window into the creation. There is a school of thought that indicates if you're trying to find the essence you don't need that level of investigation at house rather than all its fine elements and maybe shortcomings. The professional antecedants of this screen go quite a ways to showing that erroneous.
That's an active version using a tweeter that is different - they share the exact same mid/woofer unit and physical volume, regardless of the numeric difference. The SCM19 monicker continues to be for quite a while in the ATC range, but it did not used to seem curvy and appealing. The final variant proved to be a conventional carton structure using a black front baffle that had peg inserts and increased the depth of the face. The most recent upgrade has net steel grilles that attach to the carton, leaving it looking more refined when removed. The acoustic cost you buy this is decreased extension and susceptibility, yet this can be a trade off that ATC chooses, and electricity is comparatively cheap today.
For this reason the SCM19 weighs too much to get a speaker of its own size, if its own mass judged audio equipment /cost ratio every time would be won by this brand. In addition to the change in cupboard what distinguishes this speaker's forerunner and it is the tweeter, which ATC now makes in house. In practice that will mean high frequencies that are cleaner even when you're hammering out Metallica. This is the point the area where ATC's professional background is useful - it's accustomed to working with engineers so the company understand making bombproof drive units, who play at high degrees all day. The motor system of the tweeter includes a short border-wound coil in a long, narrow magnetic opening, which removes the requirement for ferrofluids which seemingly dry out over time and gives quite low distortion. The magnet itself is a neodymium kind using a heat-treated plate that is top in high power scenarios, another variable for greatest rate of heat dissipation. Do we want loudspeakers that will resist that amount of maltreatment in your home? Most of the time gives assurance that this loudspeaker will survive, although it we do not.
That is authentic of the construct quality complete, the cupboard is completed to an extremely high standard as well as the bi-wire terminals are strong and of suitable quality for the purchase price. That both crossover and drive units are produced in Gloucestershire is remarkable if you think about the cost, hardly any businesses make their particular tweeters. ATC does not advocate a specific stand height but indicates that the topmost portion of the environment be at ear height.
Sound quality
Instant, upbeat and tremendously amusing in a youthful, energetic manner. The SCM19 is a loudspeaker that is somewhat mature, it's a considerably more professional audio sound inasmuch as it's showing in a serene, restrained style and quite low on nature. This can be an excellent thing for the music as you hear of exactly what the artist meant, more, more of what the speaker heard in the studio in the control room. And given the number of studios you've a high probability of emulating with its domestic loudspeakers.
It's possible for you to hear the record really isn't the cleanest possible, but more noticeable is the feeling that takes the listening room, it is a celebration on a phonograph record within no doubt about it. This ATC has bass that is exceptional, it goes not high but is completely textured and tight, using an adequate amplifier it quits and begins with absolute precision. When a damping pedal is used by a pianist you understand just how she or he is carrying it out. That is partially since it is a loudspeaker that is very silent, almost no contribution is made by the carton as well as the lack of an interface removes the resonances that such devices add. Overhang isn't in evidence serious low end is, by preventing deep notes you will get fast bass, but that really isn't the situation here.
No Deal the brand new Melanie de Biasio record gets a rhythm section as well as the Belgian chanteuse singing over generally fairly deep synth bass. This does not undermine its appeal although it is an inky black record that the SCM19 takes out a huge quantity of nature, how the voice was handled is especially evident. It's possible for you to hear way down to the mixture and understand the subtlety of playing out of each and every person in the group, this in the context of vocals that are really open but rather dark instruments. All is laid bare but because of the power to cease and begin exactly on cue the time of the loudspeaker stays spot on.
Understand the distortion in revel and the PA system in the man's compositional genius without attempt. Piano actually demonstrates what this loudspeaker can do. I get completely carried away and Beethoven pieces that generally don't keep me interested.
Decision
The engineer both need to listen to as much as you possibly can, although transparency is that which you would like in both locales, they may be listening for something distinct to the music lover. In that respect this can be a killer merchandise, it tells you precisely what is happening in the mixture be it poor or great. ![]() |